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Blog Archive
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2009
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November
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- Soul Freedom right now on http://ping.fm/ongO2
- mycah cavalier track coming up - psychic or what!
- selections from gary williams for next half hour, ...
- kicking off with Hi-Fly orch, alice russel remix, ...
- were now live and direct on radiocardiff
- Join me @ 3pm uk 10am est for soul freedom http://...
- Tonight is the black tie event, Radio Cardiff Awar...
- happy Thanksgiving everyone x
- last wed Marva Whiney, Sat Mica Paris, this wed So...
- Just started on http://ping.fm/jY54B Soul Freedom,...
- last bit coming up - I believe in love - Florence ...
- www.radiocardiff.org you are my everything - Maril...
- Taking it too far- Big Brooklyn Red, Wild in Me - ...
- is this the way - Mo & Grazz, I really love you - ...
- loving this tune- Complicated Michael Sterling, Tr...
- addict- Shamora, Lifetime- Soulpersona ft Kia Benn...
- www.radiocardiff.org now and next Nights over egyp...
- Next up Wherever you go - skip mahoney & Casuals, ...
- next three - LOVE - Marc Staggers, Wicked Mo & Gra...
- www.radiocardiff.org - getting interactive - on ai...
- Please join me today at 3pm (UK) Soul Freedom 98.7...
- 6t's soul party at old haunt the city canteen toni...
- Have to say that Ping.Fm must save me hours, plus ...
- Marva whitney on stage in a minute
- Soul Freedom Day again join me on http://ping.fm/3...
- Brand new heavies about to hit the stage
- for those who have not voted, voting closes Thursd...
- Back @ the Controls today Soul Freedom 3pm(uk) htt...
- Reminders - Life and Soul Mixtape Podcast - http:/...
- Life and Soul - thanks to Compton- ne1fm radio, n...
- Life and Soul Mixtape - Thanks to Jerry Hipkiss- ...
- Thank you for all who support show 'SOULFREEDOM' ...
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October
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- going to see Womack & Womack tonight
- i can't read my FB messages, nor friend requests, ...
- This is well worth reading - Revisionist History R...
- Having problems with Facebook, keep getting error ...
- Mixtape addendum- couple of minor adjustments to t...
- Life and Soul Mixtape - A lo-fi version is now on ...
- The Life and Soul Mixtape - New and Pre Release In...
- Life and Soul Mixtape now available for Download. ...
- Read a great piece by Bob Davis of Soul Patrol tod...
- Latest Soul Freedom Podcast - http://ping.fm/RMpFl...
- Sweetest thing this side of Heaven- Chris Bartley ...
- tough one, but hope tonite against Leeds is better...
- Life and Soul Download Mixtape Project well advanc...
- great afternoon playing tracks outdoors at Alice P...
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November
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2008
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February
(24)
- SoulCommune
- Organix News
- Jesse Saunders' New Book and Single
- Jazz Warriors Afropeans: amended release date
- 2.29.08 Leap Year Gig @ Sugar Bar, NYC
- Tashas World @ The Cobden London
- Nu Soul Room at Soul Train
- Peter Hadar & Amanda Diva Live @ SOB's Wednesday M...
- Save The Date - Organix Soul Ya'll
- Alison Crockett Fabulous February
- InJoy News
- Nu-Soul Magazine Newsletter: Rahsaan Patterson, St...
- A Night With Najee And Maysa
- Jim Couchenour's Quiet Canvas for Valentine's Day
- The ATL- Scene about to BEAM and HOUSTON did it!!
- Chris Rob Newsletter Vol. 1
- Angela Johnson
- Kendra Ross - February eBLAST
- KUKU February Updates
- Saturday, Feb 9th, 8pm @ Solomon's Porch Anthony a...
- Jazz Benefit Concert featuring Gabbie McGee!
- News from Soulful Sound Music
- Will Wheaton February Newsletter
- Marcell & the Truth
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February
(24)
Tuesday, February 26, 2008
Thursday, February 21, 2008
Jesse Saunders' New Book and Single
Shawn at Publish America: shawns@publishamerica.com
www.BrokenRecords.us
www.HouseMusicReunion.com
www.MySpace.com/JesseSaunders
www.MySpace.com/HouseMusicLive
Jazz Warriors Afropeans: amended release date
Courtney Pine's
Jazz Warriors Afropeans
releases its live album,
recorded on 6 October 2007 at The Barbican,
on Destin-E Records (cat. no:777 25 3 1807)
on
Monday 28 April 2008
Afropeans (definition): to be part of African descent and to exist in Europe, culturally, spiritually or, in this case, musically
Robert Fordjour: drums
Darren Taylor: double bass
Alex Wilson: acoustic piano
Femi Temowo: acoustic/electric guitar
Omar Puente: electric violin
Ayanna Witter Johnson: cello/voice
Samuel Dubois: alto/bass steel pans
Chris Storr/Byron Wallen/Jay Phelps: trumpets/flugelhorns
Harry Brown: trombone
Nathanial Facey/Shabaka Hutchings/Jason Yarde/Courtney Pine: woodwind
The original Jazz Warriors were a hugely influential black British big band initiated by Courtney Pine in the mid-1980s. Their mission was to celebrate black British musicianship and shake up the cliquey world of British jazz. Twenty years on, this one-off gig's ‘Afropeans’ were assembled to play new compositions celebrating Black History Month and the bicentenary of the abolition of the slave trade. The rhythm section was top-notch, paring grooves down to their essential details, shifting gear with panache. There were barnstorming solos... the three-hour concert never lost interest... nice touches abounded - delicate bowed strings, a skanking reggae backing tailgate trombone, foot-stamping chains. Hugely entertaining...
Mike Hobart, The Times
On 6 October 2007, at The Barbican in London, UK saxophone legend Courtney Pine led the freshly-minted 15-piece Jazz Warriors Afropeans in a vibrant three hour musical celebration of the Abolition of the Slave Trade Act bicentenary. This new ensemble, taking its lead from the positive spirit of seminal 1980s big band the Jazz Warriors, brings established names such as Byron Wallen, and Alex Wilson together with key newcomers such as Shabaka Hutchings, Samuel Dubois, and Ayanna Witter Johnson. As a result, this live album documents an extraordinary meeting of some of the UK’s most exciting musicians, and serves as a spellbinding memento of an evening commemorating a landmark historical event.
Courtney Pine is considered the key UK jazz musician of his generation. It all began when, as a young saxophonist backing many of the travelling reggae stars, he noticed he was not the only hornsman with a deep desire to play jazz. In 1984, he founded The Abibi Jazz Arts with a view to harnessing the collective strength among African-Caribbean jazz artists. A big band, christened The Jazz Warriors by Courtney’s wife, was created and, after a very short time, it began to play its own music. The band grew in size and strength - gaining positive reactions from both audience and media - and the likes of Steve Williamson, Mamadi Kamara, Claude Deppa, Cheryl Alleyne and others contributed to its vibrancy. The Jazz Warriors’ main aim was to unite different generations of musicians, and Courtney always intended up and coming players to have a place in the band; when interference from some members meant this was questioned, the band broke up under somewhat acrimonious circumstances with only one album, Out of Many One People (released in 1987 on Island Records), under its belt.
www.courtneypine.co.uk
press enquiries to: Helen Maleed
tel/fax: 020 7732 4624 mobile: 07986 235 855email: helen@greendesk.demon.co.uk
2.29.08 Leap Year Gig @ Sugar Bar, NYC

'Till leap year give you one day more...
Feb 29th @ the Sugar Bar.
On this very special extra day of the year, I'll be doing a stripped-down set at the legendary Sugar Bar. Why legendary, you ask? It's owned by Ashford and Simpson! Can't top that, eh?
Also, apparently there is more than one Sugar Bar in the NYC, so just a side note - it's the one on the Upper West Side.
I'll be singing solo, so if the spirit moves you, please swing on by. It's my first show of 2008, so it would be great to see you in the crowd!
love & laughter,
Heather P
WHEN: Friday, February 29th 2008
WHERE: Sugar Bar, NYC
254 West 72nd Street (btwn Broadway & West End)
TIME: Show Starts at 7:30pm, we hit the stage at 8:30pm!
COVER: $10

Wednesday, February 20, 2008
Sunday, February 17, 2008
Peter Hadar & Amanda Diva Live @ SOB's Wednesday March 12th
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Save The Date - Organix Soul Ya'll

January's installment of Organix Soul was filled with electricity and excitement. The night kicked off with Mobile Alabama poet Jahbu taking center stage going right into a politically charged piece that kept the crowd on edge. He then went into three more powerful pieces and exiting to a riveting standing ovation by the standing room only audience.
January's installment of Organix Soul was filled with electricity and excitement. The night kicked off with Mobile Alabama poet Jahbu taking center stage going right into a politically charged piece that kept the crowd on edge. He then went into three more powerful pieces and exiting to a riveting standing ovation by the standing room only audience.
Next came Nu Direxions and they took the audience on a smooth jazz ride that they will not forget anytime soon with a medley of tunes that kept everyone grooving and dancing in their chairs.
Then came Huggy Bear da Poet who ripped through a number of poems that kept everyone on edge from poem to poem. Flexing from Relationships to Politics, he amazingly converted everyone who
previously believed they didn’t like poetry to avowed poetry lovers.
Then along came Maeve Hughes who brought her own style of soulfunk vibes to the Organix session. She was so into the groove she danced barefoot on the stage.
Followed by the evenings feature performer: Ms. Brown Rice who sang a number of original tunes as well as popular cover tunes by Jill Scott, Erika Badu, and Lauren Hill… The audience hung on every word uttered, amazed by the soulfulness of her voice and the sincerity of her soul. She rocked the house. And the over 200 folks in the house loved every minute of her performance
So What’s Next or should I say Who is next and how do we top or even match the talent of December and January’s lineup? Our response is: Gordon James, April Hill, the soulful duo of Kim Stone-Keaton and Marcus Pitts, and newcomer Amore But lets begin with April Hill.
"If you are not already familiar with April Hill, then it is with the greatest of pleasure that I acquaint you with her here and now. It has to be pointed out that there has been a lot of positive noise made on this side of the pond for this Lady and I can understand why. It is refreshing to see any new artist that carries the real soul torch, let alone one who has such talents and is, let's be honest, who is extremely beautiful to boot "..... Barry Towler - Soul Express
Howard University grad April Hill left her Atlanta home bound for New York and a job on Wall Street. But her first love, music, kept calling and we're glad she listened. She landed singing gigs and was ultimately heard by Marlon Saunders, who worked with her on her upcoming debut album, Love 360.
April has been making a big buzz around New York and now she's ready to take on the world with her jazzy soul sound and attractive voice. So we're extremely proud that April is gracing us during the month of February with an exclusive advance track from Love 360, the great leadoff track "The Search." One listen and you'll know that a great new singer has arrived.
Tickets for this event are $15 at the door, $10 in advance and can be purchased online at www.organixsoul.com. For more information or for local ticket outlets contact Organix Promotions at 413.233.4595.
Visit our sponsor SPRINGFIELD HOLIDAY INN AT www.hispringfield.com
Tickets are Moving Quickly - Purchase Your Tix Online at www.organixsoul.com

Alpha's 1st Friday: February 7, 2008 in the Penthouse @ the Holiday Inn Springfield
COMING IN MARCH: Alpha's 3 in 1 Event click here http://www.organixsoul.com/alphas.htm
Monday, February 11, 2008
Alison Crockett Fabulous February
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InJoy News
| Rhythm And Soul Radio Playlists |
| Here are the playlists from the last two editions of Rhythm And Soul Radio: Additional playlists from previous weeks can be found on the Rhythm & Soul Radio MySpace site: www.myspace.com/rhythmandsoulradio If you're an artist or know of an artist who wants their music considered to be played on Rhythm & Soul Radio, music can be sent via mp3 to Marko@Injoyenterprises.com or mailed to: |
| Support Independent Music |
| We always want to call your attention to great performances or special events in the world of independent music. Feb. 8 - Chris Rob at BAM Cafe - This former keyboardist for John Legend has worked with Lauryn Hill, DJ Spinna, the legendary Leon Ware and many others and brings his solo show to BAM Cafe in Brooklyn for a FREE performance at 8pm. Feb. 8 - Erika Rose & GC & Soul Mafia at The Knitting Factory - We can attest to the skills of these two artists as both have appeared on Rhythm & Soul Radio over the last couple of months. This will be a special Friday night of live performances from independent artists. Others performing during the night include Jax, Sarah White and S.O.U.L. Purpose. Tix are $10 in advance and $12 at the door. Get advance tix from www.knittingfactory.com. Feb. 9 - Nadir backed by Rhythm Republik at BAM Cafe - Hailing from Detroit, MI, this singer songwriter comes to Brooklyn's BAM Cafe to rock the house in a FREE performance that begins at 8pm. Feb. 9 - Brown Baby Girl & Anthony Dixon at Solomon's Porch in Brooklyn - Two is almost always better than one and this night promises to be proof positive of that!!!! A night of sexy sultry soul!!!!! Admission is $10, showtime is 8pm. |
Nu-Soul Magazine Newsletter: Rahsaan Patterson, Steph Jones, Jesse Saunders, Jill Scott & more
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Jim Couchenour's Quiet Canvas for Valentine's Day
THIS VALENTINE'S DAY |
| Enjoy... Soft,... Romantic... Music... with... Your... Sweetheart |
Download YOUR FREE Song Now
| Come On Home ...from the New CD "Quiet Canvas" |
| Jim Couchenour © 2007 Soul Food Music (BMI) |
Friday, February 08, 2008
The ATL- Scene about to BEAM and HOUSTON did it!!
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| You heard it here first! Tis true-- SXSW bringing lots of SOUL next month to Austin. SXSW SOUL - line up announced soon- stay tuned for details. There can never be enough SOUL and SXSW is committed and excited about the upcoming showcases featured at this year's Music Festival. Flyer and details coming soon SXSW SOUL | ||||
| Lastly, but never last-- please check my blog and peep my site and add me to Facebook, Linkedin, Imeem, Myspace, and anything else I can possibly have time for. The Bloom Effect I also won 'TOP CONSULTANT' in NARIP My RATES are now officially higher!! The Bloom Effect 'We Create The Buzz, so YOU can BLOOM. How do you like it?
See you soon Fiona Bloom The Bloom Effect email: fiona@thebloomeffect.com |
Chris Rob Newsletter Vol. 1
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Angela Johnson
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Interview with Angela Johnson (31 January 2008) by Christian John Wikane (taken from www.popmatters.com).Part-time house diva and full time soul music icon, Angela Johnson has already achieved acclaim as a performer, but now she's ready to challenge the gender assumptions about R&B producers with a collaborative album that might be one of the year's early bests. The Trans-Continental Soul of Angela JohnsonWhen Angela Johnson performs at the Blue Note, the world famous jazz haunt in the heart of Greenwich Village, she transforms the club into a den of first-class funk and sizzling soul. Perched behind her keyboard, Johnson directs her band with a raised arm and open fist, her foot tapping in time to one of the tightest rhythm sections in New York City. That Johnson is considered a definitive voice of contemporary soul by audiences everywhere from Atlanta to Australia is no surprise; her first two albums on Purpose Records, They Don't Know (2002) and Got to Let It Go (2005), earned rave reviews by soul music aficionados the world over. Now, in the tradition of Quincy Jones's classic multi-artist productions, Johnson assembles a roster of top-notch talent including Rahsaan Patterson, Maysa Leak, and Claude McKnight on her first "producer" project, the aptly titled A Woman's Touch. Origins After spending a delightful afternoon in conversation with Angela Johnson, discussing everything from the first gig she ever performed in New York City to the purity of her young daughter's observations about music, it' s apparent that A Woman's Touch is the album Angela Johnson was born to record. A child prodigy who composed original melodies on the piano at three years old, Johnson grew up on a healthy diet of gospel and funk in the suburbs of Utica, New York. In grade school, she added violin to her repertoire while honing her musical talent at St. Paul's Baptist church in Corn Hill, just outside Utica. Johnson recalls, "I lived in a predominantly white neighborhood. I went to schools where a lot of the black kids were bussed, but many of them were my friends because they all went to church with me. I really had a very regular life. As a teenager I got into cheerleading very heavily. At one time I thought that I was going to do it professionally, but once I realized I was not going to get money from it-that only lasted for five minutes!" she laughs. With nary a pom-pom in sight, Johnson auditioned for SUNY Purchase and was accepted for both voice and violin, bringing her closer to that Mecca of performing arts: New York City. During her studies at SUNY Purchase, she met fellow music major and future founder of Tortured Soul, John-Christian Ulrich. Both students performed in the university's gospel choir and developed a mutual admiration for each other's considerable talent. "He heard my voice and said, 'Listen, I got some songs that I have written and I would love to hear your voice on them,'" recalls Johnson. The pair's musical simpatico evolved into Cooly's Hot Box, a full-fledged acid jazz/funk band formed with other music majors at SUNY Purchase. Local gigs in Westchester, New York, eventually gave way to remix productions by Basement Jaxx, Armand Van Helden, and Roger Sanchez, one of the premier producers in house music. Anyone who spent just a little bit of time on the strobe-lit dance floors of New York and London clubs during 2000-2001 may fondly recognize the deep bass lines and soaring vocals on intoxicating tracks like "Smile" and "Make Me Happy". Johnson, however, is quick to make an important distinction, "People always thought Cooly's Hot Box was a house band, and that was never the case. The thing was our music was always remixed. People never actually heard the originals and (they) would refer to our music from the house mixes." An album of the remixed tracks, Make Me Happy (2001), was released through the Scotland-based Sole Music label, while the original, more funk-infused tracks were released on Take It (2002), which was, for all intents and purposes the debut of Cooly's Hot Box. Shortsighted comparisons to the Family Stand and the Brand New Heavies belied the band's very unique sound, typified by Johnson's "Happy Feelings" and Ulrich's wrenching ballad "I'm in Love With You". As Cooly's Hot Box brought their feast of funk to clubs throughout the US in promotion of Take It, Johnson was also wrapping up a project that had been incubating for years. With producers Russell Johnson and George Littlejohn, the nerve center behind Purpose Records, Johnson asserted her very own music identity on They Don't Know, her solo debut released just months after Cooly's Take It hit the streets. "They Don't Know definitely was just me experimenting and really getting to know myself as a producer, singer, songwriter, and musician," Johnson says. "I really hadn't heard myself. I was always singing Christian's lyrics. I was always singing his melodies. I would add my little two bits to make it my own, but it really wasn't me. They Don't Know was just a way for me to express my thoughts and feelings and how I would actually sing a note and how I would deliver it." Indeed, tracks like "No Better Love", "Rescue Me", and "Some Kind of Wonderful" were rousing numbers that referenced Johnson's roots in the church as much as early-'70s Pointer Sisters ("Yes We Can Can" is a staple in her current set list). They Don't Know was a bona fide hit across the international spectrum of soul music. Through the UK-based Dome Records and Columbia Records in Japan, Johnson cultivated a worldwide following with both her solo and Cooly's Hot Box projects. So reverent is Johnson's audience in East Asia that she regularly performs five-day, ten-show engagements in cities like Yokohama. Though US audiences are no less appreciative, Johnson's fan base in Japan is especially supportive. "In Japan, they follow you from day one," she says with a tinge of wonderment in her voice. "The day you step foot with your name out there and they get to know your background, they will do their homework and actually know your history. I'm just amazed at that. I always express to them how much I appreciate that, because people really are trying to get to know me and they are very interested in what I do and what I have done in the past." Collaboration Around the time of Got to Let It Go (2005), the critically acclaimed follow up to They Don' t Know, Johnson was presented with the idea of a producer project. The concept appealed to her, yet she was hesitant to collaborate with other artists whose creative processes might not have congealed with her own. "All these things that were running through my head were senseless," she laughs. "I was just very nervous about getting with other artists, because I usually work by myself. It's not that I don't want to give out my secret-there is no secret-it's just the way that I work might seem quirky to someone else." Her concerns were allayed once phone calls and studio dates were set with artists who already appreciated her work as much as she did theirs. The first artist she collaborated with for the project was the inimitable Rahsaan Patterson, an established producer and songwriter in his own right, who was the consummate creative partner for Johnson. She remembers, "I was mad nervous because I'm a huge fan of his. Usually, if I do work with another artist, I like to give them a track and let them write to it, but Rahsaan wanted to get together and actually work from scratch. Everything went down professionally and he was just a kind-hearted person. I thought, 'Wow, if the rest of the project works out like this, then I'll have such an amazing time.'" Citing her work with another esteemed writer, Gordon Chambers, she adds, "I love the fact with this album that I'm just learning different ways of how people approach their music, how they write. I take on all of this like a sponge. It's just good for me to evolve not only as a producer, but as an artist, and just learn different ways of approaching things." "Approach" is the key word when Angela discusses Lisala Beatty and Tricia Angus, two names that fans will recognize from Johnson's concerts. Those voices, which effortlessly blend with Johnson onstage, are quite unique unto themselves. Each vocalist was given their own spotlight on A Woman's Touch. The producer explains, "Lisala's approach definitely is more aggressive. She's actually dropping a lot of science in how she approaches vocals. Her melodic structure and her harmonies are very keen-there's no in between. [Tricia] has quite a bit of range, but her sound is a little bit earthier. There's just more bottom on her voice. She has a huge jazz background, and when you hear her doing her ad-libs or scatting, that's where it all really comes out. They're just amazing people to work with, and I just appreciate that they've always been giving me 110%. I didn't want anyone else to work with them before me!" she adds wryly. An enthusiastic audience at S.O.B.'s in Tribeca sounded their approval for Beaty and Angus's tracks when Johnson previewed some of the new material back in November 2007. A Woman's Touch is also emblematic of the tight-knit independent soul music community in New York, where the camaraderie between musicians creates a wealth of opportunities. "Nobody's trying to be at the top and leave everybody else back," notes Johnson, whose relationship with Marlon Saunders is certainly a meeting of like minds (for one, both were vocalists in acid jazz-based bands before venturing solo). The two connected at a Raul Midón concert at Joe's Pub in New York, though they'd met briefly on occasions beforehand. The musical adoration between the two was instantaneous. Johnson shares, "I love the grittiness in his voice and how he delivers. When he was here recording with me, his eyes were closed most of the time. He was so into it. His body would move all different sorts of ways just to get that line delivered. He's just so theatrical. I was crazy about that, but his voice just topped it off." The virtual community of MySpace also facilitated the participation of artists on A Woman's Touch, including Maysa Leak and Claude McKnight. George Littlejohn, an executive at Purpose, introduced McKnight to Johnson's music and arranged a phone call with the producer. Recalls Johnson, "I came up with a great song and he gave me a subject to write about. He sent me some MP3s of melodies that he had in mind. Basically I just went with what he had given me and came up with a song called 'Here I Stand'. Lyrically, I think that's probably one of my strongest songs when it comes to personal matters of strength and just dealing with everyday issues." Maysa Leak, who previously recorded Johnson's "All Day Long" on her Smooth Sailing (2004) album, instantly fell in love with "More Than You Know", which Johnson wrote especially for A Woman's Touch. "Everybody's been wonderful and has made it really easy for me to work with them. I don't know if it's because I'm a Libra," she laughs, "or that everybody's just really cool and they have a lot of respect for me as I do them. It just all came together beautifully." R-E-S-P-E-C-T A Woman's Touch is in part fueled by the dearth of recognized female producers in the R&B community. While the work of Kanye, Timbaland, and Akon crowd the airwaves, their female counterparts remain under the radar. It's a dynamic that Johnson, understandably, ruminates about heavily as A Woman's Touch is readied for release. "There are so many producers out there that are getting a lot of success and being known for their sound, and the fact is that they're all men! There are no women, and if you do find a woman associated with a producer, people are automatically going to think, 'Oh yeah, the guy did most of the music. The woman probably just did the writing.' I have been dealing with that most of my producer life," Johnson confides. "I'm not really trying to make another statement, stating that 'Women-we can do it too!' It's just that I think women have something else to say. It can't be one-sided. It can't be all about the hardness in a track, even though I'm attracted to that. My drums have to be hard enough for me to really get into it, and the bass line has to really thump. When I do listen to my music, it does sound different than some of my male counterparts that are out there doing the same thing. I just have a different sensibility." That sensibility translates to one of the best soul music albums anyone will hear in 2008. Johnson anticipates that the reaction will be positive, though some might be shocked by the arrival of a female Quincy Jones. "People are going say, 'Wow. A woman was able to actually put this all together,' [but] I want to be respected as just another producer. I want to be respected equally as the rest of the guys. So far, it looks like I've collaborated with more male than female artists," Johnson chuckles, "but it just happened that way." Ironically, one of the key challenges Johnson faces with her own producer project is releasing A Woman's Touch in a marketplace driven by the sound of producers rather than artists. About her major label contemporaries in R&B, Johnson observes, "It's not who the artist is, it's who the producer is behind the artist that made them sound that way. If you name any of the artists out here, they have not been able to do anything without those producers. I think it's because of the superstardom of the producers that (artists) are able to put out records. Record labels want the same kind of stuff, and that doesn't leave us room for any other kind of music that other people want to hear." Though Johnson has a signature sound, it complements rather than obscures the artists she works with on A Woman's Touch. The sum total of talent is nourishment for underfed lovers of rhythm and melody. Angela Johnson is casting a wide net with A Woman's Touch with appearances set in Atlanta and New York for its February 5 release in the US, not to mention dates abroad in the UK and Japan. "I must let you know that this will be the first of many to come," Johnson says about additional producer projects on the horizon. "I just want people to know that I'm just being me. This is all I know. I love music. I eat, sleep, dream music. I can't speak any other language. This is who I am. I just hope that people appreciate that." We certainly do, Ms. Johnson! |
PO Box 3274
United Kingdom, BN16 9BD
44-1903-771027
Kendra Ross - February eBLAST
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KUKU February Updates
| GO TO/ WWW.KUKULIVE.COM | LISTEN AND BUY CD | JOIN MAILING LIST | JOIN THE KUKU FAM CLUB | CONTACT |
Upcoming Shows
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Monday, February 04, 2008
Jazz Benefit Concert featuring Gabbie McGee!
News from Soulful Sound Music
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Will Wheaton February Newsletter
Today 2/1/08 kicks off the offical release of my new single from the Old School Soul CD "Any Other Way" the song was written by Ted Pearlman producer to the stars and Marvin Young Mc rapper writer extraordinare...You can hear the song on Smoothjazz.com or smoothlounge.comSmoothjazz.com - The Global Home for the Smoothest Jazz make sure to go there and take a listen. Also, if you don't have a copy make sure to purchase a download or the whole cd for valentiine's day. On the 7th I will be performing at Kulak's woodshed which is an awesome venue here in So. CAli run by Mr. Paul Kulak. The best thing about it is no matter where you are in the world you can be there. You can also send me email while we're performing. Just go to Live TV for Music Show Performances Webcasted at Kulak's Woodshed. You will need windows media player to see the show. So go there on the 7th and check me out...
Remember up to 10% of everything you purchase on my site goes to MySpace.com - Wonderful World Corporation - 42 - Male - - www.myspace.com/wonderfulworldcorp..See ya on the net...Have a great February.....
Soulfully Yours,
Will Wheaton
Will Wheaton.com
www.myspace.com/willwheaton
Marcell & the Truth
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About Me
- mike ashley
- http://www.lifeandsoulpromotions.co.uk/ http://www.myspace.com/mikeashley http://indiesoulnews.blogspot.com/ http://mikeashley.blogspot.com/ http://mikeashley.imeem.com/ http://www.blackplanet.com/lifeandsoul/ http://www.facebook.com/profile.php?id=596821155 http://picasaweb.google.com/lifeandsouluk http://www.friendster.com/mikeashley http://www.poolah.com/lifeandsoul http://mikeashley.hi5.com/ http://www.linkedin.com/in/mikeashley1 http://www.nextcat.com/mikeashley http://trig.com/lifeandsoul













































